After realizing that her ambition outweighed her talents, however, Arthur turned to modeling. The critic Charles Champlin eloquently described her lasting impact as follows: “To at least one teenager in a small town, Jean Arthur suggested that the ideal woman could be – ought to be – judged by her spirit as well as her beauty. While Arthur`s sexy qualities are evident in ''Angels,'' her comic timing is evident in Sam Wood`s ''The Devil and Miss Jones'' (1941). But unhappy with her roles and determined to master her art, Miss Arthur returned to New York in the early 1930's and acted for several years on the summer theater circuit and Broadway in a total of 14 plays.

She reputedly took her stage name from two of her greatest heroes, Joan of Arc (Jeanne d'Arc) and King Arthur. Other comedy successes included "Easy Living," "You Can't Take It With You," "The Devil and Miss Jones," "The Talk of the Town," "The More the Merrier," in which she, with Joel McCrea and Charles Coburn, wrestled with the housing shortage in World War II Washington, and "A Foreign Affair." She began acting on the Broadway stage and returned in 1950 for a widely praised performance in the title role of "Peter Pan," Sir James M. Barrie's 1904 fantasy about the lad who refused to grow up. Discovered by Fox Film Studios while she was doing commercial modeling in New York City in the early 1920s, the newly named Jean Arthur landed a one-year contract and debuted in the silent film Cameo Kirby (1923), directed by John Ford. She was nominated for an Oscar for her performance in "More the Merrier.". Her later stage appearances were frustrated by directorial and cast disputes and illnesses. persuaded me that she could play the cynic who comes to believe in Longfellow Deeds. ''She didn`t hate the press--that wasn`t it. Arthur had the advantage of working with such great directors as Frank Capra, Billy Wilder, George Stevens and Howard Hawks, but Capra maintains she helped them more than they helped her. Yet, she was equally at home with comedy. The studio was at the time looking for new American sweethearts with sufficient sex appeal to interest the Jazz Age audiences. Fortunately, she doesn`t have to sell her work because each generation discovers her unique talents for themselves. Virtually no one believed that this actress, who slugged her way through films with five-day shooting schedules and who constantly played the same role dressed in different costumes, would ever be more than window dressing. If I'm scanning through the TCM schedule and I see that she happens to be in a film I've never heard of and would otherwise have little or no interest in based on the summary, I'd still probably watch it just because of her presence. I can`t quite explain what made her such a great actress . George Stevens, who became Arthur`s favorite director, signed her to play a World War II working woman in ''The More the Merrier'' (1943). The actress, who was originally named Gladys Georgianna Greene, was born on Oct. 17, 1900, in Plattsburg, N.Y., and grew up in the Washington Heights section of Manhattan. She acted in dozens of silent two-reel comedies, melodramas and westerns. Jean Arthur was 80 years old last Thursday. When Arthur finally retired, it was of her own choosing. She just didn`t feel comfortable discussing her life with some person she had just met.
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jean arthur interview

For the next 13 years, with the exception of a decent role in ''Diamond Jim'' (1935), Arthur languished in two-reel comedies, low-budget westerns and features that ranged from bad to worse. ''Her confident voice and manner . ''Husband Hunters'' (1927), ''The Broken Gate'' (1927), ''The Masked Menace'' (1927) and ''Warming Up'' (1928). A selected list of the titles reads like a tone poem on a lost career: ''The Cowboy Cop'' (1926), ''The College Boob'' (1926), ''Twisted Triggers'' (1926), ''The Block Signal'' (1926), ''The Poor Nut'' (1927). . .

It was, of course, her squeaky, frog-like voice, which silent-era cinema audiences had simply no way of perceiving, much less appreciating.

Jean Arthur passed away at the age of 90 on June 19, 1991. In "Mr. Smith," as a secretary, she deceives an artless young senator (Mr. Stewart), but later uses her parliamentary expertise to aid his filibuster and defeat his foes. Miss Arthur had a bubbly flair for reflecting the absurdities of life, a subtle vulnerability and a voice that wavered unpredictably between the spunky and the amiable. While their conversation is mundane, their body language communicates a sexual heat missing from most contemporary love stories. Smith Goes to Washington'' or standing in the farmhouse watching Alan Ladd ride off in ''Shane,'' Arthur conveys the image of an independent woman. ", See the article in its original context from. But I`ll tell you one thing about her--she was always prepared, worked hard and was one of the best damned actresses I ever worked with.''.


After realizing that her ambition outweighed her talents, however, Arthur turned to modeling. The critic Charles Champlin eloquently described her lasting impact as follows: “To at least one teenager in a small town, Jean Arthur suggested that the ideal woman could be – ought to be – judged by her spirit as well as her beauty. While Arthur`s sexy qualities are evident in ''Angels,'' her comic timing is evident in Sam Wood`s ''The Devil and Miss Jones'' (1941). But unhappy with her roles and determined to master her art, Miss Arthur returned to New York in the early 1930's and acted for several years on the summer theater circuit and Broadway in a total of 14 plays.

She reputedly took her stage name from two of her greatest heroes, Joan of Arc (Jeanne d'Arc) and King Arthur. Other comedy successes included "Easy Living," "You Can't Take It With You," "The Devil and Miss Jones," "The Talk of the Town," "The More the Merrier," in which she, with Joel McCrea and Charles Coburn, wrestled with the housing shortage in World War II Washington, and "A Foreign Affair." She began acting on the Broadway stage and returned in 1950 for a widely praised performance in the title role of "Peter Pan," Sir James M. Barrie's 1904 fantasy about the lad who refused to grow up. Discovered by Fox Film Studios while she was doing commercial modeling in New York City in the early 1920s, the newly named Jean Arthur landed a one-year contract and debuted in the silent film Cameo Kirby (1923), directed by John Ford. She was nominated for an Oscar for her performance in "More the Merrier.". Her later stage appearances were frustrated by directorial and cast disputes and illnesses. persuaded me that she could play the cynic who comes to believe in Longfellow Deeds. ''She didn`t hate the press--that wasn`t it. Arthur had the advantage of working with such great directors as Frank Capra, Billy Wilder, George Stevens and Howard Hawks, but Capra maintains she helped them more than they helped her. Yet, she was equally at home with comedy. The studio was at the time looking for new American sweethearts with sufficient sex appeal to interest the Jazz Age audiences. Fortunately, she doesn`t have to sell her work because each generation discovers her unique talents for themselves. Virtually no one believed that this actress, who slugged her way through films with five-day shooting schedules and who constantly played the same role dressed in different costumes, would ever be more than window dressing. If I'm scanning through the TCM schedule and I see that she happens to be in a film I've never heard of and would otherwise have little or no interest in based on the summary, I'd still probably watch it just because of her presence. I can`t quite explain what made her such a great actress . George Stevens, who became Arthur`s favorite director, signed her to play a World War II working woman in ''The More the Merrier'' (1943). The actress, who was originally named Gladys Georgianna Greene, was born on Oct. 17, 1900, in Plattsburg, N.Y., and grew up in the Washington Heights section of Manhattan. She acted in dozens of silent two-reel comedies, melodramas and westerns. Jean Arthur was 80 years old last Thursday. When Arthur finally retired, it was of her own choosing. She just didn`t feel comfortable discussing her life with some person she had just met.


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