This state of satisfaction is that of extreme happiness and contentment, and leaves the listener with the feeling of being in paradise. 21. 11. OANKAR is a composition of 54 stanzas by the founder of Sikhism, Guru Nanak's in the measure Raag Ramkali in the Guru Granth Sahib. It is able to bring the mind into this calmness, bringing a sense of satisfaction and contentment. However, in contrast to Raag Tilang, the individual is unperturbed by this feeling.

This Raag has an aggressive nature, which creates an inner strength and power to express and emphasise the truth, regardless of the consequences.

It is a set of rules of how to build a melody which can ignite a certain mood in the reciter and listeners. Apr 13, 2016 - Guru Nanak, Raag Asa Mahal 1, Page 473 of Guru Granth Sahib Raag Nat Narayan (ਨਟ ਨਾਰਾਇਨ) – Nat Narayan consists of feelings of hastiness and impatience, however simultaneously there is stability and control. 54. So in Bhimpalasi, the Vadi is Ma and Samvadi is Sa. It is a precise direction toward achieving a set outcome, with confidence and positivity fuelled with a burst of energy.

Raag Jaitsiri (ਜੈਤਸਰੀ) – Jaitsiri conveys the heartfelt emotion of not being able to live without someone. Maru's nature conveys the fearlessness and strength that ensures the truth is spoken, no matter what the cost. Raag Aasaa Asavari (ਆਸਾ ਆਸਾਵਰੀ) – Aasaa Asavari provides a sense of assurance to achieve your desired goal with courage, love and confidence. The title is explained differently by different scholars. n. Raag Tilang pp 721-727, there are 20 compositions in this raag. Raag Bibhas Parbhati (ਬਿਭਾਸ ਪ੍ਰਭਾਤੀ) – Bibhas Parbhati has a self-assured character and has a sense of certainty, which arises from the knowledge gained through awareness. The following represents the order of notes that can be used on the ascending and descending phase of the composition and the primary and secondary notes: This Raag is almost exactly the same as the Classical Raga Bhimpalasi, only that the Vadi/Samvadi are switched.

Raag Parbhati (ਪ੍ਰਭਾਤੀ) – The emotions conveyed in Parbhati are those of extreme devotion; there is an intense confidence and love for the entity it is devoted to.

Raag Malhar (ਮਲਾਰ) – Malhar is a communication of feelings from the soul, to show the mind how to become cool and refreshed. Raag Gauri Malva (ਗੌੜੀ ਮਾਲਵਾ) – Gauri Malva is based on Punjabi Folk music and is influenced by the ‘Malva’ region of Punjab and the Malvaee hospitality. Raag Devgandhari (ਦੇਵਗੰਧਾਰੀ) – Devgandhari conveys the feeling of satisfaction that comes from making an achievement. The love felt is so strong that there are no worries and the individual gains a certain confidence from being so secure. 41. q. Raag Gaund pp 859-876, there are 49 compositions in this raag.