Directed by Robert Bresson. Anne-Marie joins a Dominican convent as a novice where she knows Therese. (The famous last line: “Oh, Jeanne, what a strange way I had to take to meet you!”). A Joan of Arc's trial reconstruction concerning her imprisonment, interrogation and final execution at the hands of the English.

Michel, like the hero of Crime and Punishment, has a good woman in his life, who trusts he will be able to redeem himself. He is not handsome or ugly or memorable. There is incredible buried passion in a Bresson film, but he doesn't find it necessary to express it. Add the first question. Why does he avoid her? And later, when a police decoy at the racetrack shows Michel a pocketful of cash, Michel suspects the man is a cop (“He didn't even bet on the winning horse!”).

Perhaps she makes it impossible for him to think of himself as an extraordinary man,alone in the world. He avoids Jeanne because she is wholly good, and therefore a threat to him. A young woman kills herself, leaving no explanation to her grief-stricken pawnbroker husband. She is a neighbor of Michel's mother, and the lover of Michel's friend Jacques (Pierre Leymarie). He lives in Paris in a small room under the eaves, a garret almost filled by his cot and his books. Bresson films with a certain gravity, a directness. The three men work the train back and forth, at one point even smoothly returning a victim's empty wallet to his pocket. He lives in Paris in a small room under the eaves, a garret almost filled by his cot and his books.

In this case, Kassagi's idea (as I am sure it was) provides a brief moment of comic relief in the middle of a movie that is otherwise without a lot of humor. Shoplifters and pickpockets operate in different emotional weather than more brazen thieves. He wants his actors to emote as little as possible.

After his release, though, his mother dies, and he rejects the support of friends Jeanne and Jacques in favour of returning to pickpocketing (after taking lessons from an expert), because he realises that it's the only way he can express himself... Steven Soderbergh’s ‘Wireless’ Survival Thriller Gets Quibi Premiere Date & First Look, “It Doesn’t Make Sense to Explain Anything”: Angela Schanelec on I Was at Home, But… and Robert Bresson, Michael Brooke . A young priest taking over the parish at Ambricourt tries to fulfill his duties even as he fights a mysterious stomach ailment. Bresson's Michel, like Dostoyevsky's hero Raskolnikov, needs money in order to realize his dreams, and sees no reason why some lackluster ordinary person should not be forced to supply it. Michael Brooke . Perhaps she shames him with her simplicity. And there is a kind of exhibitionism in the way they show their moves to the camera but hide them from their victims. He usually wears a suit and tie, disappears in a crowd and has few friends. “Pickpocket” is about a man who deliberately and self-consciously tries to operate outside morality (“Will we be judged? No emotion, no style, no striving for effect.

Martin Lassalle, the star of “Pickpocket,” plays Michel as an unexceptional man with a commonplace face. It's no coincidence that when another pickpocket spots Michel at work and confronts him, it is in a men's room; their liaison involves money as a substitute for sex.

He wants to steal another man's wallet, and he wants his face to appear blank, casual.Perhaps it would, to a casual observer.

Together they examine an ingenious tool designed by a master pickpocket to slit open coat pockets. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. What we see in the pickpocket's face is what we bring to it. 38 of 69 people found this review helpful. His mother dies and he resorts to pickpocketing as a means of survival. Like many criminals, he does it for two conflicting reasons: because he thinks he is better than others, and because--fearing he is worse--he seeks punishment. Check out our most anticipated streaming picks. 'neatly replac[es] the lightened wallet [back] in a man's pocket' is not something a real pickpocket would likely do; it is, however, exactly what a stage magician would do.